2011年12月3日星期六

Exhibitions list from 1988-2004

2004The Print Show, Exit Art, New York
Lustwarande 04: Disorientation of Beauty, Tilburg, The Netherlands
Siting: Installation Art 1969 – 2002, MoCA Los Angeles
Undomesticated, Smith College Museum of Art
Home and Away, Vancouver Art Gallery
Istanbul Biennial, Istanbul, Turkey
Living inside the Grid, The New Museum of Contemporary Art, New York
Formed to Function, John Michael Kohler Arts Center, Sheboygan, Wisconsin
Galeria Soledad Lorenzo, Madrid
Sackler Gallery of Art, Washington, D.C.
Lehmann Maupin Gallery, New York
2003Brown University, Providence, Rhode Island
Lehmann Maupin, New York
ArtSonje Center, Seoul, Korea
On the Wall: Wallpaper by Contemporary Artists, RISD Museum, Rhode Island
On the Wall: Wallpaper and Tableau, The Fabric Workshop and Museum, Philadelphia
2002The Perfect Home, Kemper Museum of Contemporary Art, Kansas City, Missouri
Seattle Art Museum, Seattle, Washington
Serpentine Gallery, London
Constructed Fabric, Kobe Fashion Museum, Japan
Mask or Mirror A play of Portraits, Worcester Art Museum
Multitude, Artist Space, New York
Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane, Australia
Biennale of Sydney, Sydney, Australia
Sculptura 02, Falkenberg, Sweden
Collecting Contemporary Art: A Community Dialogue, Ackland Art Museum, Chapel Hill, NC
2001Unifrom: Order and Disorder, Pitti Immagine Florence, Italy
2001Subject Plural: Crowds in Contemporary Art, Contemporary Arts Museum Houston, TX
2001Venice Biennale, Venice, Italy
2001Bodyspace, Baltimore Museum of Art Baltimore, MD
2001Contemporary Issues in Asian Art, Duke University Art Museum Durham, NC
2000Artsonje Center Seoul, Korea
2000Lehmann Maupin New York
1999Seoul Home / L.A. Home, Korean Cultural Center Los Angeles, CA
1999Sight-Seeing, NTT Inter Communication Center Tokyo, Japan
1999Appearance, Art Museum of the Center for Curatorial Studies Bard College, Annandale-on-Hudson, NY
1999Beyond the Monument, MetroTech Center Brooklyn, NY
1998Asian American Artist: Cross-Cultural Voices, University Art Gallery SUNY Stony Brook, Stony Brook, NY
19989 to 5 @ Metrotech, The Metrotech Commons (Outdoor) Brooklyn, NY
1997Promenade in Asia, Shiseido Gallery Tokyo, Japan
1997Techno/Seduction, The Cooper Union New York, NY
1996Arcosda Lappa Project, Rio de Janeiro, Brazil
1996Window Show, Gallery Hyundai Seoul, Korea
1996Art at Home, Seomi Gallery Seoul, Korea
19956 Artists Now, Gallery Hyundai Seoul, Korea
1994Picture Him, Picture Her, 105 Dyer Gallery Providence, RI
1993Open Door, Sol Koffler Gallery Providence, RI
1990Light from the East II, Kiev City Museum Kiev, U.S.S.R.
1990Korean Contemporary Painting Exhibition, Hoam Gallery Seoul, Korea
1990Logos and Pathos, Kwanhoon Gallery Seoul, Korea
1990The Groping Youth 1990, The National Museum of Contemporary Art Kwachon, Korea
1989Korean Contemporary Painting Exhibition, Hoam Gallery Seoul, Korea
198920th São Paulo International Biennal, Fundaçao Bienalde São Paulo São Paulo, Brazil
1988                Korean Contemporary Painting Exhibition, Hoam Gallery Seoul, Korea

From: http://www.brandnew-gallery.com/Software/artist_bio.php?artist=72

Fallen star 2011


From: http://stuartcollection.ucsd.edu/artists/suh.shtml
The Stuart Collection has embarked on a new and extraordinary project with the artist, Do Ho Suh, an important artist who we will be proud to include in our distinguished collection. Since graduating from Seoul National University, the Rhode Island School of Design and Yale University, he has developed a remarkable body of work across the globe while living in both Seoul and New York City.  He recently had two major related works on exhibit at the Los Angeles County Museum of Art.   
Do Ho Suh’s work explores the notions of home and displacement, the cultural meaning of space and the relationship between the personal and the collective. This is particularly relevant in the context of increasing globalization (with frequent dislocation of refugees and others) and considering California’s highly mobile population.  
For the Stuart Collection, Suh has proposed Fallen Star, a small house that has been picked up by some mysterious force, (perhaps a tornado) and “landed” on a building, seven stories up.  A roof garden is part of Suh’s design and will be a place with panoramic views for small groups to gather.  This can be seen as a “home” for the vast numbers of students who have left their homes to come to this huge institution, the university, which has nothing even resembling a home.  It is an unforgettable image and will be a truly amazing experience sure to stay in the minds and memory of students and visitors for years to come.  Do Ho is very excited about this singular opportunity.
Suh’s proposal was deemed the finest, most adventurous and most original of all the proposals that our esteemed Advisory Board reviewed when they last met. The UCSD administration has given its blessing and approval. We want to complete this project by the end of 2011 as a part of the celebrations for the 50th anniversary of the university.   The student body has grown to over 29,000 undergraduates: the Stuart Collection has expanded with the campus where there are up to 52,000 people on any given day.

Suh’s Fallen Star will be the next and 18th work in the Stuart Collection.  It will be appreciated by generations of students, faculty, staff and the many visitors to the university. It will also be a noteworthy artwork for the communities of San Diego, Southern California and beyond as it attracts national and international attention.


Sculpture


Sculpture is three-dimensional artwork created by shaping or combining hard materials—typically stone such as marble—or metal, glass, or wood. Softer ("plastic") materials can also be used, such as claytextiles, plastics, polymers and softer metals. The term has been extended to works including sound, text and light.
Materials may be worked by removal such as carving; or they may be assembled such as by welding, hardened such as by firing, ormolded or cast. Surface decoration such as paint may be applied. Sculpture has been described as one of the plastic arts because it can involve the use of materials that can be moulded or modulated. Found objects may be presented as sculptures.
Sculpture is an important form of public art. A collection of sculpture in a garden setting may be referred to as a sculpture garden.
The materials used in sculpture are diverse, changing throughout history. Sculptors have generally sought to produce works of art that are as permanent as possible, working in durable and frequently expensive materials such as bronze and stone: marblelimestoneporphyry, and granite. More rarely, precious materials such as goldsilverjade, and ivory were used for chryselephantine works. More common and less expensive materials were used for sculpture for wider consumption, including glasshardwoods (such as oakbox/boxwood, and lime/linden); terracotta and otherceramics, and cast metals such as pewter and zinc (spelter).
Sculptures are often painted, but commonly lose their paint to time, or restorers. Many different painting techniques have been used in making sculpture, including tempera, [oil painting], gilding, house paint, aerosol, enamel and sandblasting.
Many sculptors seek new ways and materials to make art. One of Pablo Picasso's most famous sculptures included bicycle parts. Alexander Calderand other modernists made spectacular use of painted steel. Since the 1960s, acrylics and other plastics have been used as well. Andy Goldsworthymakes his unusually ephemeral sculptures from almost entirely natural materials in natural settings. Some sculpture, such as ice sculpturesand sculpture, and gas sculpture, is deliberately short-lived. A vast array of sculptors including Joan MiróMarcel DuchampYves KleinJohn ChamberlainJean TinguelyRichard StankiewiczLarry BellCarl AndreLouise Bourgeois and others used glass, stained glass, automobile parts, tools, machine parts, and hardware to fashion their works.
Sculptors often build small preliminary works called maquettes of ephemeral materials such as plaster of Paris, wax, clay, or plasticine, as Alfred Gilbert did for 'Eros' at Piccadilly Circus, London. In Retroarchaeology, these materials are generally the end product.
Sculptors sometimes use found objects.
From-wikipedia

LUMINOUS: THE ART OF ASIA

Seattle Art Museum, WA
Oct 13, 2011---JAN 8, 2012
Do Ho SUh, Gate


Do Ho Suh

Some/One, 2001

Stainless steel military dog tags, nickel plated copper sheets, glass fiber reinforced resin, stainless steel structure, rubber sheets
 Do-Ho Suh / - zoom out Do Ho Suh, Some / One, 2003Words from Do Ho Suh about his military experience: “The whole program was basically pushing your psychological and physical limits to extremes, so actually you can kill someone. And, you know, that whole experience was very difficult to swallow. It’s a process of dehumanization.” Do-Ho Suh / - zoom out

Public Figures, 2001

Glass fiber reinforced resin, bronze, steel structure. 2094 x 2748 x 2840 cm Do-Ho Suh / - zoom out

Home Within Home II

 Show at Lehmann Maupin Gallery from September 8 - October 22, 2011